With so much variety out there, it can be difficult to know what makes a piece good enough to receive a Daily Deviation (DD).
We've put our heads together with the Literature Community Volunteers (Lit CVs)
, to come up with some advice on what makes a DD stand out. This isn't a definitive list, nor does it guarantee that your suggestions will actually get featured, but it should help you better understand what sets DDs apart from the rest.Emotional Reaction and Wider Appeal
Possibly the most defining feature of all successful DDs is how they connect to the reader. Reading is often a personal and intimate activity, thus the emotional connection between the reader and literature varies. At some point though, we all form a connection with what we read. In the words of `NicBelroque
"Writing should resonate on an emotional level, as art does, whether it entertains, saddens, or shocks. If a piece resonates with me, and I see that it resonates with others as well, it is much more likely to be featured."
Subjects of emotional interest may be memoirs, accounts of personal experiences, or pieces with a deeper meaning or message. Works of fiction also form powerful emotional links with readers. Stories that reach out and touch the reader in some way, be it in a good or perhaps even shocking or bad manner, are great DD material.
Remember that personal connection is not always enough. The work of a friend my be "nice" or "enjoyable" but would it appeal to more people than you? Loving a piece simply because it appeals personally to you or a small group of close friends may not be enough to make your suggestion stand out. Always look for a broader emotional attraction.Originality
Originality is attractive, and there are times when emotional attachment is evoked simply by the innovation of idea alone.
Remember that originality does not have to come in the form of a totally new idea or subject, it can be in the form of taking something well-known and presenting it in a different light or voice.
"I want the piece to grab my attention and make me interested in some way. It could be subject matter that sparks my interest with passable writing style, or it could be the style itself that makes it interesting, etc." - `thorns
Originality doesn't have to mean completely unique either - it could just mean less common. Sometimes, a genre or form that simply does not appear often in features is what our Lit CVs are looking for. For example: ^neurotype
would love to see more essays and non-fiction showcased, and `NicBelroque
would really like to see more fixed form poetry, as well as micro-reads.
"For me, poetry needs to have grounding to it- a sense of earthiness and root- I don't like whimsical floaty poetry that has no real meaning or connection. It's not just about emotion and expressing your feelings- it needs a little more than that. " - ^Beccalicious
The last, but by no means least, important points to consider when looking at a promising piece of lit are spelling, punctuation and grammar (SPAG). While DDs are by no means meant to be perfect, spelling and grammar are obviously important in the world of the written word.
How a piece is presented to the viewer is a vital factor to consider when selecting suggestions. When it comes to formatting, ask yourself one question: Is the lit presented in a manner that makes it comfortable to read? Prose should be written in clear paragraphs - either indented or separated by an obvious line-break, and dialogue should be clearly visible and not merged into walls of text.
Useful GuidesQuick Tips
Html codes and Visual Poetry A lot of great writers on dA don't know how to use html codes, which is a real shame, because these codes can really be used to bring out a writer's words. This tutorial will go through several basic codes, good places to use them in your writing, along with spacing and other aspects of visual poetry & writing.
If you haven't noticed, when you open an "Add text" devation, there's a list of HTML codes at the bottom. Most of them look like this . A lot of these match up with the names used for them in Microsoft Word documents, so they should be easy to use. So, let's start off with the basics!
1. Italics <i>
</i>is simply, italics. Got it? Put the i inside the s. See, it's easy! To end any Html code, one puts a slash before the letter i, </i>. Now, for the Visual impact of italics.
Emphasis and Motion
Which means that a good place to use i
Style vs. Voice - A Guide
A Writer's Guide to Style vs. Voice
Here on dA, there seems to be a lot of confusion and general mass hysteria when it comes to the subjects of writing style and voice. What are they? What's the difference? Can you write one without the other? How important are they, anyhow? Do you really need either of them? Wait, what are they again?
Style is the form and structure with which you write.
Voice is the attitude and perspective with which you write.
In other words, voice is the emotion and feeling of a piece of literature, and style is the technical way of communicating that emotion.
Clearly, there is a tangible difference between the two. Style is a delivery system for voice. While voice can and should affect the form with which you write, you can most certainly write one without the other. However, the best writing is a masterful fusion of both.
I'm here to illustrate for you the difference between style and voice and to define exactly what they are and how you can us
More helpful writing guides can be found in our Writing Resources
Reaction and Appeal – Think about the wider audience and how the lit effects you or others. Does the writing form any kind of emotional connection, or pose a message or deeper meaning that will appeal to a wider range of readers?
Original or Overdone – Ask yourself if what you’re reading is new, completely different, or rarely seen. Remember that originality does not always mean re-creating the wheel.
Check that SPAG – The basics of all lit! A piece should be reader-friendly and presented in a comfortable manner.
Comments are Key - Comments are there to showcase the reactions of readers. A piece that is stimulating and engaging will provoke lengthier comments that delve deeper into the meaning or idea behind it.
Read and Read Again - When considering a piece to suggest, take a moment to read it again, being a little more critical this time. If nothing leaps out at you and you're still amazed by the work, then you're probably on to something good.
Perfection is by no means expected when looking at pieces to suggest, if it contains at least two of the points offered above, then it stands a very good chance of making it through to a feature so go right ahead and suggest it! We'll be back next week to tell you more about how to actually do that.
"I want to read ALL THE GOOD THINGS, so send me anything you think the site needs to see or that I'd enjoy anyway. Don't think too hard about it—if I don't think I can feature it, someone else might feel differently." - ^neurotype